ALEXIS 2.0

Aristide Rontini/Nexus (IT)

June 28 | 7 p.m.
Parco Tor Tre Teste Alessandrino

Performance with audio-description

Meeting point Teatro Biblioteca Quarticciolo.
There is an approximately 20-minute walk to the performance venue. Comfortable clothing is recommended.

The first novel of French writer Marguerite Yourcenar, Alexis or the Treaty of Vain Combat, is an epistolary novel in which the main character, a professional musician, attempts to tell his wife about his homosexuality. Using the French writer’s words, Aristide Rontini started a choreographic research that investigates and gives shape to the complex dynamics, both physical and emotional, that may come into the picture during the sometimes painful process of coming out. Alexis’s saying and not saying reflect in Cristian Cucco’s physicality, which is rooted in the ground, yet aerial. Cucco shows how the urgency of an handwritten letter can contain shared and collective needs that transversely concern the condition of the human beings.

Credits

Conception and choreography |Aristide Rontini
Performer: Cristian Cucco
Dramaturg: Gaia Clotilde Chernetich
Original Music: Vittorio Giampietro
Artistic collaboration: Simona Bertozzi and Dalila D’amico
Poetic Audiodescription: Camilla Guarino and Giuseppe Comuniello
Production: Associazione Culturale Nexus – APS
Coproduction: Oriente Occidente
With the support of Anticorpi – Rete di Festival and Rassegne e Residenze dell’Emilia-Romagna and supportER, Fondazione Teatro Comunale Citta’ di Vicenza, Versiliadanza, Alma Danza Bologna and Altriballetti Si we thank Musei Civici Imola

Length: about 25 minutes

Aristide Rontini

is a performer, choreographer, and dance community practitioner. He graduated from Codarts – Rotterdam Dance Academy in 2010. He worked as a performer with Simona Bertozzi (It), Michela Lucenti / Balletto Civile (It), Candoco Dance Company (Uk), Alessandro Schiattarella / BewegGrund (Ch), Teatro Della Tosse (It), Angelica Liddell (Sp), Carl Olof Berg / Spinn (Sv), Vahan Badalyan (Armenia) and Diego Tortelli / Aterballetto (It). He has recently developed his own artistic research presenting the works “It moves me”, “Giovane Notturno”, “Talitha Kumi”, “Alexis” and “Alexis 2.0”. His study poses questions on the scope of identity, on the relationship between the individual and the society, on the relationship between humans and the natural world. He’s interested in choreographic language, multidisciplinary system, literature, and cinema. He’s Danzeducatore® in educational and community dance. His artistic experience allows him to encounter communities of amateurs, to work on performances and projects aimed at the transmission of motion and body practices, at the development of specific themes through a language that is choreographic or hybridized. Depending on the projects, Rontini meets intergenerational groups or people with specific characteristics and age ranges, adopting methods that can be more or less participatory. He has been involved in various European projects aimed at supporting artists with disabilities and about the accessibility of art by deaf or blind people. Together with Italian disabled artists, in 2020 he founded Al. di. Qua. Artists, a group that is in the forefront of the protection of the rights and the autonomy of artists with disabilities in Italy.

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